Set during World War II, an unforgettable historical novel about love, war, family, and loyalty told in in the voices of two women, generations apart, who find themselves connected by a mysterious and valuable bottle of wine stolen by the Nazis.

1942. Seven-year-old Martine hides in an armoire when the Nazis come to take her father away. Pinned to her dress is a note with her aunt's address in Paris, and in her arms, a bottle of wine she has been instructed to look after if something happened to her papa. When they are finally gone, the terrified young girl drops the bottle and runs to a neighbor, who puts her on a train to Paris.

But when Martine arrives in the city, her aunt is nowhere to be found. Without a place to go, the girl wanders the streets and eventually falls asleep on the doorstep of Hotel Drouot, where Sister Ada finds her and takes her to the abbey, and watches over her.

1990. Charlotte, a commercial airline pilot, attends an auction with her boyfriend Henri at Hotel Drouot, now the oldest auction house in Paris. Successfully bidding on a box of wine saved from the German occupation during the Second World War, Henri gives Charlotte a seemingly inferior bottle he finds inside the box. Cleaning the label, Charlotte makes a shocking discovery that sends her on a quest to find the origins of this unusual--and very valuable--bottle of wine, a quest that will take her back fifty years into the past. . . .

A powerful tale of love, war, and family, The French Winemaker's Daughter is an emotionally resonant tale of two women whose fates are intertwined across time. Loretta Ellsworth's evocative and poignant page-turner will linger in the heart, and make you think about luck, connection, and the meaning of loyalty.

Rayne McGrath’s efforts to save the rundown family castle she inherited were an epic failure after she accidentally set fire to the tower and tanked the budget. Is the castle haunted, or is she just unlucky? Meanwhile, her cousin, Ciara Smith, is anxiously booking their joint calendar with special events in the hopes of bringing the property around before they lose everything. 
When a bridalwear client from LA asks Rayne for help as her guest list spirals out of control, Rayne nabs the answer to her prayers. McGrath Castle is the perfect destination for the exclusive and intimate wedding party of heiress Tori Montgomery and her fiancé, heartthrob actor Jake Anderson. But this white veil occasion turns into a nightmare when Tori’s best friend’s assistant, Tiffany Quick, is found dead. 
It’s feared Tiffany jumped from the tower, but that theory is quickly put in doubt as secrets within the wedding party come to light. And as the villagers protest this new wedding venue venture, Rayne begins to wonder if she will succeed in her endeavor or lose it all.

In a close-knit English village, Chrissy and Alice were once best friends. So were their sons, Leo and Robbie. Until the night Leo killed Robbie with a single, devastating punch. Now Leo has gone to prison, Chrissy has lost her pub, and Alice has been pouring her anger into a twisted project . . .
As Leo’s parole date approaches, the villagers are incensed and fearful about the prospect of his return. But when Chrissy arrives to collect Leo from prison, he isn’t there. The staff tell her he has already been released, but nobody knows where he’s gone.
As the village closes ranks, Chrissy realizes her former friends are suspects in her son’s disappearance, not the least of which is still-bitter Alice. Is Leo being punished for what happened that terrible night? Or do the answers lie further back, in a dark past none of them wants to revisit?

When Arabella Grant’s wicked aunt dies suddenly, both Arabella and her cousin Lady Isabelle cannot help but feel relieved. She’d made their lives miserable, and now Lady Issie is free to read to her heart’s content, and Bella is free from taunts about her ignoble birth. 
Their newfound freedom is threatened, however, when Issie’s great-aunt commands her to travel to London for a come-out Issie has never wanted. Issie, who is in poor health, is convinced she’ll drop dead like her mother did if she drops into a curtsy before the queen. So when her great-aunt turns out to be nearsighted and can’t tell the noble Lady Isabelle from her commoner cousin Arabella, Issie convinces Bella to take her place. Bella can attend all the exclusive entertainments that her lower birth would typically exclude her from, and Issie can stay in bed, her nose in a book.
Bella agrees to the scheme for her cousin’s sake, but matters turn complicated when she meets the irresistible Lord Brooke. He begins courting her while under the impression she’s the rich and aristocratic Lady Isabelle, who, unlike Bella, is a suitable bride for an eligible young earl. And Bella, who is convinced that she has met “Lord Right,” worries what will happen when she reveals that he’s actually fallen for…the wrong lady.

Pat Barker has crafted the latest in a brilliant reimagining of Greek mythology, and The Voyage Home is the work of a writer at the height of her powers. In this third outing, she follows the young Ritsa and the unpredictable Cassandra on their perilous return journey to Mycenae. Cassandra has acquired the powers of prophecy from the kiss of Apollo, but the very same god has taken away the people's belief in her abilities. Though she warns of the carnage that awaits the Greek warrior king Agamemnon--who numbs himself with alcohol on the storm-plagued trip home--her shipmates disregard her.

While Cassandra's prophecies fall on deaf ears, Ritsa instead remains focused on surviving once they make land. When a mysterious young girl begins to shadow them, and Agamemnon's cruelty takes a new turn, Ritsa must find a safe place for Cassandra, whose mood alternates between cruelty and frenzy. But it's the ongoing ire between Queen Clytemnestra and Agamemnon that could prove fatal for everyone.

In The Voyage Home, Barker elevates myth and legend and asks us to examine the stories we hold dear through a feminist lens, and in doing so she has crafted a tale that upholds her legacy as one of our finest contemporary novelists.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings.
One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police. But when Detective Seth Delahaye is given the case, Ava won’t step back—not while teenagers continue to go missing.
Racing alongside the police or against them, Ava is determined to figure out who is hunting her classmates before she becomes the next prey. How hard can it be to track a killer?

In the vein of The Bad Seed comes a twisty, atmospheric psychological suspense about a meddlesome elderly guest at a decadent luxury hotel who believes she has left her problematic past behind, until she decides to interfere in the lives of a young mother and her eight-year-old son, and finally meets her wicked match.

The war between age and youth has never been so vicious.

Eighty-one-year-old widow Maggie Burkhardt came to the Royal Karnak to escape. But not in quite the same way as most other guests who are relaxing at this threadbare luxury hotel on the banks of the Nile. Maggie, a compulsive fixer of other people's lives, may have found herself in hot water at her last hotel in Switzerland and just might have needed to get out of there fast... But here at the Royal Karnak, under the hot Saharan sun, she has a comfortable suite, a loyal confidante in the hotel manager, Ahmed, and a handful of sympathetic friends, similar "long-termers" who understand her still-vivid grief for her late husband, Peter. Here, she is merely the sweet old lady in Room 309.

One morning, however, Maggie notices a new arrival at check-in: a mournful-looking young mother named Tess and her impish eight-year-old, Otto. Eager to help, Maggie invites them into her world. But it isn't long before Maggie realizes that in her longing to be a part of their family, she has let in an enemy much stronger than she bargained for. In scrawny, homely Otto, Maggie Burkhardt has finally met her match.

A propulsive, addictively-readable breakout from the critically acclaimed author of A Beautiful Crime and The Lost Americans, Havoc is brilliant, twisty psychological suspense that will get under your skin like the most unforgettable Hitchcock classics.

Ted Molloy has hit his stride with a foreclosure investment scheme that brings him into contact with a cast of shady characters across New York’s most diverse borough, from Hollis to Howard Beach. On the side, he helps his activist girlfriend, Kenzie, with her work to halt construction on “the Spike”—a corporate-backed development project in Corona that would displace the largely immigrant communities surrounding it.
Stop the Spike is heating up: Kenzie spends most of her waking hours fending off smear campaigns and touring community spaces in Queens to spread the word, which she can do thanks to Mohammed, Ted and Kenzie’s close friend, a recent Yemeni immigrant and most expedient cab driver. But when Kenzie learns that Mohammed’s immigration lawyer may be taking advantage of him financially, she decides to snoop around at the law offices—and comes face to face with a dead body and a shadowy figure, fleeing the scene. Now Kenzie is the sole witness to a potential murder. Can Ted and his team get to the bottom of the murder so they can stop the Spike once and for all?
Explore every shady corner of Queens in this keen mystery, the second installment of award-winning author Michael Sears’s critically acclaimed series.

The very last person anyone should worry about is Emma. Yes, hi, she's an alcoholic. But she's officially been sober for one entire year. That's twelve months of better health. Fifty-two whole weeks of focusing on nothing but her nine-to-five office job, group meetings, and avoiding the kind of bad decisions that previously left her awash in shame and regret. It's also been 365 days of not dating. And with her new dating profile, Emma, 26, of New York is ready to put herself back out there.
Except--was dating always this complicated? And did Emma's mother really have to choose now to move in with her new boyfriend? Being assigned to plan her office's holiday party feels like icing on the suddenly very overwhelming cake until her estranged father reappears with devastating news. Icing, meet cherry on top. But then there's Ben, the charming IT guy who, despite Emma's awkwardness and shortcomings, seems to maybe actually get her? Sobriety is turning out to be far from the flawless future Emma had once envisioned for herself, but as she allows herself to open up to Ben and confront difficult past relationships, she's beginning to realize that taking things one day at a time might just be the perfectly imperfect path she's meant to be on.
Bittersweet and darkly hilarious, Ava Robinson's debut novel about navigating sobriety and complicated family dynamics is witty, heartbreaking, and profoundly relatable.

In Iran, a curator has gathered foreign journalists for a VIP tour of her latest creation. As the guests sit to listen to her initial remarks, she shares the struggles she's faced in bringing together this exhibition--especially the gender inequity she's battled for her entire career.
But the Sound Museum is no ordinary institution. It is a museum of torture, wrought from the audio recordings pulled from interrogation rooms and prison cells. And the curator--her unbroken monologue drifting through fieldwork examples, case studies, archives, philosophy, and dreams--is only too happy to share her part in this globe-spanning industry.
With sensuous and lyrical prose, Sound Museum bears witness while calling into question the act of witnessing, underlining complicities in systems of power and drawing the reader into the uncomfortable position of confronting one woman's psyche: evil, yet completely blind to her own depravity.

A heartwarming and humorous romance in which an unlikely couple fall in love over Wordle.

Twenty-seven-year-old Emily doesn't have a lot going well in her life right now. She dreams of a creative career but works as a receptionist in an auto shop. She longs for big city life but lives in a small town on Prince Edward Island. She craves a close group of friends but is stuck with irritating, car-obsessed coworkers.

What Emily does have is a 300+ day streak on the New York Times Wordle. But one day, with only one guess left and no clue what the answer is, she's forced to turn to one of her irritating, car-obsessed coworkers, John, for help--and in doing so, realizes that he might not be so irritating after all.

As they make their way, word by word, toward a 365-day streak, Emily is drawn into a surprising romance that will take her outside of her comfort zone--and challenge everything she thought she knew about happiness, success, and love.

A glamorous romance novelist and an aspiring starlet share an unexpected secret in this addictive story about love, ambition and how far we're willing to go to protect our hearts.
Fledgling actress Amelia Grant is at rock bottom when offered the opportunity of a lifetime: to star in a biopic about the world-renowned romance author Gloria Diamond, who used her own tragic love story as inspiration for her bestselling books. To prepare for the role, she'll spend a week with Gloria at her secluded Washington estate. It's a chance to get out of LA, away from her cheating ex-boyfriend, and to make her recently deceased mother proud.
Amelia's excitement is short-lived, however, once she actually meets Gloria, who is cold, verging on rude and mostly unavailable. If not for Gloria's frustratingly handsome son Will, the visit might be a complete waste of her time. But when Amelia stumbles upon a secret from Gloria's past, she realizes Gloria's life story is more fiction than fact. And as the movie's filming date draws nearer, Amelia must decide how much she's willing to sacrifice to uncover the truth.

Berlin 1961: When Uli Neumann proposes to Lise Bauer, she has every reason to accept. He offers her love, respect, and a life beyond the strict bounds of the East German society in which she was raised -- which she longs to leave more than anything. But only two short days after their engagement, Lise and Uli are torn violently apart when barbed wire is rolled across Berlin, splitting the city into two hostile halves: capitalist West Berlin, an island of western influence isolated far beyond the iron curtain; and the socialist East, a country determined to control its citizens by any means necessary. 
Soon, Uli and his friends in West Berlin hatch a plan to get Lise and her unborn child out of East Germany, but as distance and suspicion bleed into their lives and as weeks turn to months, how long can true love survive in the divided city?

 

First glimpsed riding on the back of a boy's motorcycle, fourteen-year-old Czeslawa comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a small Polish village before her world imploded in late 1942. Stripped of her modest belongings, shorn, and tattooed number 26947 on arriving at Auschwitz, Czeslawa is then photographed. Three months later, she is dead.
How did this happen to an ordinary Polish citizen? This is the question that Tuck grapples with in this haunting novel, which frames Czeslawa's story within the epic tragedy of six million Poles who perished during the German occupation. A decade prior to writing The Rest Is Memory, Tuck read an obituary of the photographer Wilhelm Brasse, who took more than 40,000 pictures of the Auschwitz prisoners. Included were three of Czeslawa Kwoka, a Catholic girl from rural southeastern Poland. Tuck cut out the photos and kept them, determined to learn more about Czeslawa, but she was only able to glean the barest facts: the village she came from, the transport she was on, that she was accompanied by her mother and her neighbors, her tattoo number, and the date of her death. From this scant evidence, Tuck's novel becomes a remarkable kaleidoscopic feat of imagination, something only our greatest novelists can do.
"Beautifully written, all the while instilling a sense of horror" (Susanna Moore), Tuck's language swirls about, yet not a word is out of place. The subtly rotating images tumble out at us, accelerating as we learn about Czeslawa's tragic stay in Auschwitz, the lives of real people such as the barbaric Commandant Rudolf Höss; his unconscionable wife, Hedwig; the psychiatrist and child rescuer Janusz Korczak; and the mordant Polish short story writer Tadeusz Borowski. Although we are certain of Czeslawa's fate, we have no choice but to keep turning the pages, thoroughly mesmerized by Tuck's near otherworldly prose.
In Lily Tuck's hands, The Rest Is Memory becomes an unforgettable work of historical reclamation that rescues an innocent life, one previously only recalled by a stark triptych of photographs.

After a mostly stress-free Christmas with her college-age daughter, and despite enjoying a current budding romance with fellow newcomer, Benjamin Cohen, it’s time for Cece to focus on Vino y Vida, the Colinas wine bar she manages. Electrical work and an outdoor security camera are needed, and she’s hired local electrician Karl Meier to do the job, along with the help of his nephew Ian. But she regrets her choice when she witnesses Karl needlessy berating Ian in her presence. On top of that, Karl leers at her, then presents her with an inflated bill before the work is complete. Still, she’s shocked when she gets a call from Karl’s ex-wife, Josie, that she’s found Karl . . . crushed to death beneath the lift in her automotive shop.
Cece convinces Josie to call the police, even though Josie is terrified. After all, Karl was an abusive husband, was threatening her, and she has no alibi. With Josie’s future on the line, and maybe her own, Cece starts her own investigation. From the customers Karl cheated to the other women he harassed, she finds there’s no lack of suspects—other than the shelter kittens to whom he was an uncharacteristically sweet volunteer. With a bouquet of motives and unanswered questions, Cece is going to need the help of her twin, Allie, who owns a nearby B & B, as she dives into Karl’s past—before the killer catches up with her, and the lights go out for good . . .

A storyteller "of great humanity and huge heart" (Minneapolis Star Tribune), Leif Enger debuted in the literary world with Peace Like a River which sold over a million copies and captured readers' hearts around the globe. Now comes a new milestone in this boldly imaginative author's accomplished, resonant body of work. Set in a not-too-distant America, I Cheerfully Refuse is the tale of a bereaved and pursued musician embarking
under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife. Rainy, an endearing bear of an Orphean narrator, seeks refuge in the harbors, fogs and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure and a lawless society. Amidst the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. And as his innate guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake.

It’s 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war’s end brings with it an act of deep betrayal.

Six years later, Evelyn is back home in Los Angeles, working as a private investigator. The war was supposed to change everything, yet Evelyn, contemplating marriage to her childhood sweetheart, feels stifled by convention. Then the suspected cheating husband she’s tailing is murdered, and suddenly Evelyn is back in Nick’s orbit again.

Teaming up for a final mission, Evelyn and Nick begin to uncover the true nature of her case— and realize that the war has followed them home. For beyond the public horrors waged by nations there are countless secret, desperate acts that still reverberate on both continents, and threaten everything Evelyn holds dear...

Emlyn doesn't let herself think about the past.

How she and her best friend, Janessa, barely speak anymore. How Tyler, the love of her life, left her half dead on the side of the road three years ago.

Her new life is simple and safe. She lives alone in her Airstream trailer and works as a fishing and hunting guide in scenic Idaho. Her closest friends are the community's makeshift reverend and a handsome Forest Service ranger who took her in at her lowest.

But when Tyler shows up with the news that Janessa is missing, Emlyn is propelled back into the world she worked so hard to forget. Janessa has become a social media star, documenting her #vanlife adventures with her rugged boyfriend. She hasn't posted lately, though, and when Emlyn realizes the most recent photo doesn't match up with its caption, she reluctantly joins Tyler to find her old friend. As the two trace Janessa's path through miles of wild country, Emlyn can't deny the chemistry still crackling between them. But the deeper they press into the wilderness, the more she begins to suspect that a darker truth lies in the woods—and that Janessa isn't the only one in danger.

Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.

Then one night on the boat, Sam spots a bear swimming the dark waters of the channel. Where is it going? What does it want? When the bear turns up by their home, Sam, terrified, is more convinced than ever that it’s time to leave the island. But Elena responds differently to the massive beast. Enchanted by its presence, she throws into doubt the desire to escape and puts their long-held dream in danger.

A story about the bonds of sisterhood and the mysteries of the animals that live among us—and within us—Bear is a propulsive, mythical, richly imagined novel from one of the most acclaimed young writers in America.

Beth Pickering is on the verge of finally capturing the rare deathwhistler bird when Professor Devon Lockley swoops in, stealing both her bird and her imagination like a villain. Albeit a handsome and charming villain, but that's beside the point. As someone highly educated in the ruthless discipline of ornithology, Beth knows trouble when she sees it, and she is determined to keep her distance from Devon. 

For his part, Devon has never been more smitten than when he first set eyes on Professor Beth Pickering. She's so pretty, so polite, so capable of bringing down a fiery, deadly bird using only her wits. In other words, an angel. Devon understands he must not get close to her, however, since they're professional rivals. 

When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. Now keeping their distance becomes a question of one bed or two. But they must take the risk, because fowl play is afoot, and they can't trust anyone else—for all may be fair in love and war, but this is ornithology.